Martin Marier Martin Marier was born in 1975 in a small brown and horizontal city. Although he left his hometown a long time ago, he remains inspired by the glaucous taverns, the huge empty parking lots and the beauty salon at Électro-Lise. He is mainly interested in live electronic music. He interprets his works with a digital musical instrument that he designed and manufactured: the sponge. This instrument is the main subject of his doctoral thesis that he completing at the University of Montreal under the direction of Jean Piché.
Jeneen Frei Njootli is a Vuntut Gwitchin artist, a core member of the ReMatriate Collective and sits on the board of directors for grunt gallery in Vancouver. Frei Njootli has been based in these unceded territories of the Musqueam, the Squamish, Tsleiwatuth and Stolo peoples for nearly a decade while pursuing a Bachelor of Fine Arts Degree from Emily Carr University (2012) and a Master of Fine Arts Degree from the University of British Columbia (2017). Frei Njootli’s practice concerns itself with Indigeneity-in-politics, community engagement and productive disruptions. She has worked as a performance artist, workshop facilitator, crime prevention youth coordinator, and has exhibited in the last year at the Ottawa Art Gallery, Gallery 44 (Toronto), gallery 1313 (Toronto), ace art (Winnipeg), and the Morris and Helen Belkin Art Gallery (Vancouver).
Tina Pearson composes, performs and collaborates in acoustic, electronic, multidisciplinary and telematic settings with conventional, found and invented instruments. She performs with extended flute, vocalization, tuned glass, accordion, virtual instruments and simple objects. Her playing is guided by depth of listening and bringing to the fore voices, sounds and places that have been unspoken, unnoticed or forgotten.
Instant Places are Laura Kavanaugh and Ian Birse. Since 1997 they have used handmade hardware/ software systems to activate internet broadcasts and web-art exchanges with telematic artists worldwide, and on-location performances and generative installations across Canada, Europe, Australia, Japan, the United States, and South America. From September—December 2016 they presented new performance works across the UK, including the SonADA Festival (Aberdeen), GIO Fest (Glasgow), and collaborative performances with Italian dance improvisors Company Blu in Liverpool.